In honor of the Italian Hall victims, I'm posting an image of the December 26, 1913, edition of Tyomies that labeled their deaths as "Murders." This gut-wrenching headline and the article detail how Finnish immigrants associated with the labor movement saw the deaths of their fallen Fellow Workers. Additionally, I'm posting a translation of the article that was done by a pro-company Finnish-language speaker. This translation was used as evidence for the efforts to round up editors at Tyomies and charge them with crimes for reporting the labor perspective on the event. The newspaper and article about the horrific loss of life at Italian Hall are reminders of the price paid by those who fought for our labor rights today, and the importance of free speech and the 1st Amendment! Seems it is under fire as much today as it was on December 26, 1913.
The translation of the headline and article (from the C&H Collection, Michigan Technological University's Copper Country Historical Archives):
Beginning July 23, 2012, the 99th year since the beginning of the 1913-14 Michigan Copper Strike, we are chronicling our efforts to write a Peoples' History-style book on the Michigan Copper Strike. We are writing a workers' history of the event, and hope this perspective engages readers with the complexity and struggle faced by Michigan copper workers and their families.
Showing posts with label Tyomies. Show all posts
Showing posts with label Tyomies. Show all posts
Tuesday, December 23, 2014
Friday, January 11, 2013
About the Community in Conflict Cover
We are very proud to share the cover to the upcoming book, Community in Conflict: A Working-class History of the 1913-14 Michigan Copper Strike and the Italian Hall Tragedy. The book itself is the culmination of research going back almost 10 years. I (Gary) had been working with sources from the Copper Country's Finnish immigrant population, which was instrumental in bringing about the strike and also during the strike while working on a Master's at Michigan Tech and some of these sources were inevitably used in Community as well.
Aaron and I started working together on the book in 2011. His expertise in the national labor scene at that time gives Community in Conflict something that other book length histories of the strike do not provide: a national context. Workers in the Copper Country did not live in a vacuum, and national events in the labor movement and business and management relations had great impacts on local workers and their surroundings in the Copper Country. That is the "community" in Community in Conflict--we strive to paint a whole picture of the Copper Country's labor movement and not just what happened in the mines and streets of the Copper Country during the dates of the strike.
Thus, the book is a look at not only striking workers, but their families, the copper bosses, and the social and political environment in which the Copper Country's working-class lived. The back story provided in the book leads up to the great clash between labor and management that was the 1913-14 strike, and the truly tragic events at Italian Hall--mostly with regard to and using the perspective of the Copper Country's working class members.
The cover itself is a symbol of our attempt to include the personal stories of members of the Copper Country's working class. The artwork on the cover is an engaging political cartoon drawn by Konstu Sallinen, a Finnish immigrant working at the Tyomies Publishing Company in Hancock, Michigan, during the strike. Salllinen drew the cartoon in the early days of the actual strike and captured the "conflict" that was consuming the Copper Country at that time. His artwork is an artistic first person perspective on conditions from a working-class perspective.
You'll note in the Sallinen's cartoon the haggered, but determined look look on many of the strikers' faces. One striking worker is carrying a sign that reads a familiar slogan shouted during strike parades by workers. In the background the artillery of the Michigan National Guard sits ready for use, while Michigan National Guardsmen themselves stand watching strikers with guns outfitted with bayonets next to military issue tents.
We felt the image was a powerful representation of the tension and conflict simmering in the Copper Country. While we selected the image, Michigan State University Press, our publisher, employed an incredible graphic artist to select the color scheme, font, and organize the cover's layout. We feel the graphic artist did a great job and when we first received the cover to look over from the Press, Aaron had copies made and distributed them throughout St. Martin's University where he teaches.
Monday, December 24, 2012
The Italian Hall Tragedy and Long Memory
This day, Christmas Eve 2012, marks the 99th anniversary of the sad and tragic events at Italian Hall in Calumet, Michigan. The events of Italian Hall turned the Copper Country on its head, and a bitter 5-month strike dividing workers and companies, friends and neighbors, and in some instances family member from family member became even more acrimonious. People associated with the Western Federation of Miners union blamed a vigilante group, the Citizens' Alliance for orchestrating the events.
Työmies, a Finnish-language socialist-unionist newspaper published in the strike zone at Hancock, Michigan, printed a rare English-language article in
a special impromptu edition published on Christmas Day. The beginning of the article read:
The most appalling disaster in the history of Michigan
occurred last evening at the Italian Hall in Calumet where hundreds of men,
women and children had gathered to witness Christmas exercises for the
strikers[’] children. The program which was quite lengthy had just begun when a
strange man ascended the stairway, yelled “fire” and quickly made his escape to
the street. Several persons who stood near the entrance where this man
appeared, state that he had his cap pulled down over his eyes, and that pinned
to the lapel of his coat was a Citizen’s [sic] Alliance button. At the
cry of fire the great crowd arose as one and made a mad rush for the exit in
the front of the building. In the rush down the stairway many fell and being
unable to regain their feet were trampled to death, their bodies acting as
stumbling blocks for others who followed, until the hallway was entirely
blocked by the dead and dying. The fire alarm was soon sounded and those
responding were forced to gain entrance to the hall by ladders at the front
windows. Firemen entered the building in this manner and stopped the panic stricken
crowd from further crowding into the hallway upon the dead bodies of their
friends in a frantic effort to escape. The bodies in the hallway were so
tightly packed that they could not be released from below, and firemen were
compelled to remove the dead from the top of the stairway carrying the dead and
dying back up into the hall before the stairs could be cleared. At the time the
cry of fire was sounded in the hall Mrs. Annie Clemenc was making a talk to the
little ones present who naturally were crowded as near the stage as possible,
their little faces beaming with happiness, their hearts bounding with Christmas
cheer. In less than three minutes afterward fifty of their frail little bodies
were jammed and crushed in the hallway being used as a roadway over which their
companions were vainly endeavoring to escape. The scene was a horrible one, and
will never be effaced from the minds of those who witnessed the terrible
tragedy.
The bodies of the dead were taken to a temporary morgue
established in the town hall as soon as they were removed from the building. As
soon as identifications were made, the bodies were removed to their homes. In
some homes the mother and all the children lie cold in death, the husband and
father crazed with grief. In others the mother being the only one spared has
been plunged into despair and sorrow that yet dazes her, the full truth not yet
dawning upon her terrified brain.
An estimated 73-79 people died in this horrific event. Close to 60 of these deaths were children.
A terrible and tragic event, Italian Hall should be remembered for several reasons. Primarily because we should always honor the memory of those who died in the hall. Mostly children, the lives of those who passed at Italian Hall were filled with so much potential. Additionally, these were working class folks who died at Italian Hall, and often "history" at the very least forgets, or in worst cases, is negligent of the struggles and tribulations of those in the working class. Most traditional histories champion the memories of the presidents and industrialists who supposedly gave so much, while overlooking the people who did the actual work in building America--the WORKing class. Remembering those who died at Italian Hall gives their lives as working class members involved in a hotly contested labor strike the due diligence that most textbook histories dismiss.
Finally, as the great folk singer Utah Phillips notes, one of the most important gifts to America's working class is "the Long Memory." Referring to "Long Memory" as the most radical idea in America, Phillips opines in his spoken-word song "The Long Memory," that those of us coming up today battling many of the same injustices in the wage-slave system, can only begin to understand OUR exploitation and attempt to control the conditions of OUR labor by understanding OUR collective past as a united working class.
So, where does this knowledge come from? According to Phillips, it is OUR elders. Those elders who sat-in, spoke-up, and sometimes tuned-out, have a wealth of knowledge that can never be learned from a text book.
Those working class elders who marched in strike parades, nearly froze to death in picket lines, and sacrificed their lives for something as simple as a Christmas Eve party in Italian Hall have demonstrated to all of us how important, essential, and vital something as simple as collective action can be. That lesson is not inherent, it is learned and earned from each battle on the picket line, each fight for free speech, and every tragic loss to senseless labor violence directed at workers trying to assert their rights to organize in a collective body. The "Long Memory" allows us today to carry the lessons of the past into the future and gain the wisdom of those who have fought the good fight before us.
Simply, the "Long Memory" allows us to never forget the past, while always moving forward.
A link to Utah and Ani DiFranco's song "The Long Memory": http://www.youtube.com/watch?v=UDTtuKarY7U
Our thoughts go out to those who died at Italian Hall this holiday season--Aaron and Gary
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